Exhibition proposals & weird promotional ideas

Weekly Art Practice #13. Contacting a group of people outside of the art world that you wouldn’t expect.

Every Saturday I share my art practice over the past 7 days. I’m fascinated by artistic practice – it’s not just about creating art but the entire process. From influences and ideas to materials and skills, each artist’s unique approach shapes their work, making it more than just a finished piece.

Continue reading for this week’s artistic insights…

Thank you,


P.S. This piece is too long for email, so you can read it here in Substack.

Thank you so much for joining me in my art practice this week.

Right, let’s think back over the past week…

Let’s start with the lovely reply from one of my gallery proposals. I’ve not seen myself as thorough, so that’s good to hear 🙂

“Hello Steve,

Thank you for submitting your artwork to us recently, we appreciate your interest in our gallery and the effort you’ve put into your submission, it was the most thorough submission I think we have received! Thank you also for your patience whilst we get back to you.

After careful consideration, we regret to inform you that we feel your submission does not align with the gallery aesthetic and focus. While we recognise the uniqueness of your style and subject matter, we believe that our clientele and audience have specific preferences that lean toward more commercially viable pieces. Each gallery has its own niche, and finding the right fit is essential for both artists and curator.

We encourage you to explore other galleries and platforms that may be better suited to showcase your art. We appreciate your understanding and wish you the best in your creative practice.

Kind Regards,

MH“

No rejection felt, only good feelings… Progress! Learning about the nuances of the art world has given me perspective, a ‘no’ from a gallery doesn’t mean they hate your guts, they want to poo on your living room floor and tell everyone how bad your art is. No no no. Your work isn’t suited to that gallery or a whole host of other reasons, none of them are personal! On top of that, there are many tiers and types of galleries, it’s better to find the right one than just picking anyone. Would you purchase 100 pairs of jeans without trying them on? only to settle for one pair that doesn’t fit?

Yes, I know I’m a hypocrite, I emailed loads of galleries (over 100) but it’s better than doing nothing and not learning that lesson 🙂 and I’m sharing it with you too.

Next… I wrote a ‘Stack around 6 women artists I admire. Bookmark it for later.

What next?

A piece of inspo from my old mate “Eddie Gangland” an artist from Miami. Well, we’re not mates, but I follow him on Insta.

He was doing a couple of cool things, he had a sign with his Instagram handle on it and was standing by a main road. Legend. I’d feel like a bit of a dickhead doing that in Swindon. You’d get swore at quite a bit, but I might give it a go.

Secondly, he created stickers with his details on them and put them all over the place on his travels.

I love ‘guerilla’ marketing tactics like this. I have so many other things to sort out first. But once I have my new website up I can do some cool things like Eddie.

Next up…

I proposed an exhibition for the UNIVERSITY COLLEGE LONDON HOSPITALS NHS FOUNDATION TRUST! Based on my Fistula series of paintings. It feels so good getting these proposals out you know! I don’t feel any worry about the outcome either.

The spec of the space is: “The exhibition space is 2510cm long. This is broken down into spaces of 800cm, 600cm, 370cm, and 740cm.” A 25-metre long space!

What is next dear reader?

Ah yes, the brilliant open call website, callforentry.org I think I may have mentioned it before. Basically, you add all of your artwork and details, then you can apply for multiple open calls for exhibits, competitions, grants and other opportunities.

I applied to two this week. I entered my nude “Blue Man” into one and “Death Bed 1” into another.

You can search for free to enter calls, others are paid.

The cutest thing happened this week and it means the world to me. The 5-year-old grandson of the owners of Baristocats cafe (where my latest exhibit is) drew a picture of my “Wake up puppet boy” piece.