The flywheel is spinning

Weekly Art Practice #10: Embracing Rejections, Moving Forward, submitting proposals with Power and Grace.

Every Saturday I share my art practice over the past 7 days. I’m fascinated by artistic practice ā€“ it’s not just about creating art but the entire process. From influences and ideas to materials and skills, each artist’s unique approach shapes their work, making it more than just a finished piece.

I’m considering collaborating with an art publicist to extend my reach, submitting a proposal for an exhibition in Bath. Reflecting on past press coverage and amusing incidents like a mistaken submission to ATHICA. I have been inspired by Cindy Shaoul to streamline my art sales process with an e-commerce site and to explore a series of symbolic memento mori paintings.

Continue reading for further artistic insights…

Thank you,

Thank you so much for joining me in my art practice this week.

Iā€™ve been toying with the idea of working with an art publicist over the past year. Under my own volition Iā€™ve managed to get some press over the past few years (you can see here) but someone who knows about Art and PR could get my work in bigger publications. I wonā€™t mention who the person is yet, but it was a serendipitous event!

An application to a new art exhibition at the Victoria Art Gallery in Bath was submitted. I feel great for getting it sent off, but letā€™s leave it to The Gods to decide whether it will be! Hereā€™s part of my proposal:

While I have not yet had the opportunity to exhibit in Bath, I am thrilled to be scheduled to participate in the Bath Contemporary Artists’ Fair in June and July. This forthcoming exhibition, coupled with my proposal to present a unique fusion of my collections titled “Memento Salutis” (Latin for “remember health”), promises to offer a fresh and captivating artistic experience.

“Memento Salutis” seamlessly blends two distinct yet thematically linked collections: “Fistula” and “Memento Mori.” Through this amalgamation, I aim to offer visitors a profound exploration of life, death, and the transformative power of art. “Fistula” chronicles my personal journey with chronic kidney failure, from diagnosis to dialysis, culminating in a life-saving transplant generously donated by my brother, Matthew, in 2022. Complementing this narrative, “Memento Mori” offers a poignant reflection on mortality, infused with hope and resilience. In total, the exhibition will feature 19 pieces, ranging in size from 25cm x 25cm to 96cm x 122cm, all elegantly framed for presentation.

Although Iā€™m excited about this proposal, Iā€™m not stressing about its fruition, if itā€™s the best thing for me, then itā€™s meant to be.

I submitted my work ATHICA, youā€™ll laugh at this, I thought I was submitting to a gallery in Athens, Greece, not Athens, Georgia! Well, itā€™s not that funny.

Iā€™ve also had a couple of unsuitable connections after submitting my work this week (Iā€™ll stop using the word rejections now, itā€™s not useful) I didnā€™t feel any pangs of sadness this time. My interiority is transforming.

Inspired by the artist Cindy Shaoul (Check out her gorgeous art), Iā€™m creating an e-commerce website selling my work as she does. Can have the first sneak peek of a small section of the homepage:

I want to simplify everything so that when I create a new piece, itā€™s easy to add to the website and ready for sale.

I came across Cindy in a Medium article 5 Things You Need To Create A Highly Successful Art Career (Iā€™ll put the link at the end). I donā€™t usually read ā€œhow toā€™ posts but I resonated with her art practice and dedication to personal development. She is as passionate as I am about advocating that people can become artists, especially children.

What else has been happening?

Well, Iā€™ve been inspired to create a series of symbolic Memento Mori paintings. Iā€™ve been experimenting with my sketchbook around how to include the classic symbols, skull, flower and hourglass.

These are totally rough but as Picasso said ā€œInspiration exists, but it has to find you working.ā€ Iā€™ve found that the more I sketch, the more I visually see how things might work, simple I know, but we often miss the simple.

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